Mike Crutcher

Guitarist, Vocalist, Arranger, Instructor

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Monthly Archives: September 2015

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John Scofield rips it up with the Miles Davis band

Posted on September 29, 2015 by Mike Crutcher

A quick glance through Scofield’s discography reveals he has been one of the most active musicians in jazz over the last thirty years, and with good reason, and the range and scope of his talents. From 1982–1985, John Scofield toured … Continue reading →

Posted in Jazz innovation, R&B/Funk innovation | Leave a reply

Curtis Mayfield: the epitome of classic ’70s soul

Posted on September 29, 2015 by Mike Crutcher

Roots is R&B singer-songwriter Curtis Mayfield’s second studio album, released in October 1971. Having received critical praise from a variety of publications, the album is regarded as not just one of Mayfield’s best works but also as a classic release … Continue reading →

Posted in R&B/Funk innovation | Leave a reply

Ramsey Lewis plays Herbie Hancock

Posted on September 26, 2015 by Mike Crutcher

Ramsey Lewis plays his beautiful rendition of perhaps Herbie Hancock’s greatest composition, Maiden Voyage. With Cleveland Eaton on bass, Maurice White (vocalist from Earth Wind and Fire) on drums, and Minnie Ripperton on backing vocals. “Maiden Voyage” is a jazz composition … Continue reading →

Posted in Jazz innovation | Leave a reply

Nobody Knows My Trouble & Cold Feeling Blues – Otis Spann

Posted on September 24, 2015 by Mike Crutcher

In this clip from the 1968 Copenhagen Jazz Festival Muddy Waters’ pianist Otis Spann seizes an opportunity, fronting the band for two full songs. An integral member of the nonpareil Muddy Waters band of the 1950s and ’60s, pianist Otis Spann took his sweet time in … Continue reading →

Posted in Blues/Rock innovation | Leave a reply

John Coltrane performs his own masterpiece “Naima”.

Posted on September 24, 2015 by Mike Crutcher

Written in 1959, Naima is one of John Coltrane’s most recorded compositions. This version was recorded from a live broadcast in Europe in 1965. Beautiful performance, beautifully filmed. Like a prayer. Born September 23, 1926 in Hamlet, North Carolina, John Coltrane was … Continue reading →

Posted in Jazz innovation | Leave a reply

Jazz Casual – John Coltrane

Posted on September 24, 2015 by Mike Crutcher

John Coltrane’s “classic quartet,” which features John Coltrane – tenor saxophone, McCoy Tyner – piano, Jimmy Garrison – bass, Elvin Jones – drums, perform Afro Blue, Alabama, and Impressions on a 1963 episode of Jazz Casual. Coltrane’s arrangement of “Afro … Continue reading →

Posted in Jazz innovation | Leave a reply

I Want to Talk About You – John Coltrane

Posted on September 24, 2015 by Mike Crutcher

Saxophonist and composer John William Coltrane was born on September 23, 1926 in Hamlet, North Carolina. Coltrane grew up in a musical family first introduced to music by his father who was a clarinetist. In 1938 his father, aunt, and grandparents all … Continue reading →

Posted in Jazz innovation | Leave a reply

Alto Instrumental Ray Charles

Posted on September 23, 2015 by Mike Crutcher

Ray Charles leads a big band in this instrumental 1963 Brazilian television performance in Sao Paulo, Brazil, one day before his 33rd birthday. The all-star band includes the likes of Keg Johnson, Tina Brooks, and David “Fathead” Newman. …and Ray is playing alto … Continue reading →

Posted in Blues/Rock innovation, Jazz innovation | Leave a reply

In The Evening – Ray Charles

Posted on September 22, 2015 by Mike Crutcher

In The Evening – Ray Charles Ray Charles Robinson was born on September 23, 1930 in Albany, Georgia. Charles reinvented R&B while signed to Atlantic Records in the 1950s. His soulful singing, jazzy piano style, and influence from gospel pioneered what became known as soul music. Unbeknownst … Continue reading →

Posted in Blues/Rock innovation | Leave a reply

Tenor Madness Emily Remler

Posted on September 20, 2015 by Mike Crutcher

Guitarist Emily Remler performs the Sonny Rollins standard “Tenor Madness” in 1989. Her most recent album at the time was 1988’s East to Wes, whose title is a nod to Remler’s chief influence Wes Montgomery. Jazz guitarist Herb Ellis claimed that she was “the new … Continue reading →

Posted in Jazz innovation | Tagged Emily Remler | Leave a reply

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